A prize-winning international classic, first published in English in 1993, now with a new foreword by William Boyd.

For the first time—and in the best translation ever—the complete Book of Disquiet, a masterpiece beyond comparison The Book of Disquiet is the Portuguese modernist master Fernando Pessoa’s greatest literary achievement. An “autobiography” or “diary” containing exquisite melancholy observations, aphorisms, and ruminations, this classic work grapples with all the eternal questions. Now, for the first time the texts are presented chronologically, in a complete English edition by master translator Margaret Jull Costa. Most of the texts in The Book of Disquiet are written under the semi-heteronym Bernardo Soares, an assistant bookkeeper. This existential masterpiece was first published in Portuguese in 1982, forty-seven years after Pessoa’s death. A monumental literary event, this exciting, new, complete edition spans Fernando Pessoa’s entire writing life.

Although the English version of this book was published more than a century ago (1912), it is, in fact, one of the oldest books in history, as it presents the truths that have been a part of the seminal oral book of Indian practical philosophy, which was practices about two thousand years ago. Despite its old age, the book expresses universal truth and is still topical today.

This edition includes an extensive preface by Swami Vivekananda, the chief disciple of the 19th century mystic Ramakrishna Paramahansa and the founder of the Ramakrishna Math and the Ramakrishna Mission. He gives the reader deep insights about Yoga and the Ultimate Goal in Life. The Yoga Sutras of Patanjali are in themselves exceedingly brief, yet they contain the essence of practical wisdom, set forth in admirable order and detail. The theme, if the present interpreter be right, is the great regeneration, the birth of the spiritual from the psychical man: the same theme which Paul so wisely and eloquently set forth in writing to his disciples in Corinth, the theme of all mystics in all lands. We think of ourselves as living a purely physical life, in these material bodies of ours. In reality, we have gone far indeed from pure physical life; for ages, our life has been psychical, we have been centred and immersed in the psychic nature. Some of the schools of India say that the psychic nature is, as it were, a looking-glass, wherein are mirrored the things seen by the physical eyes, and heard by the physical ears. But this is a magic mirror; the images remain, and take a certain life of their own. Thus within the psychic realm of our life there grows up an imaged world wherein we dwell; a world of the images of things seen and heard, and therefore a world of memories; a world also of hopes and desires, of fears and regrets. Mental life grows up among these images, built on a measuring and comparing, on the massing of images together into general ideas; on the abstraction of new notions and images from these; till a new world is built up within, full of desires and hates, ambition, envy, longing, speculation, curiosity, self-will, self-interest. The teaching of the East is, that all these are true powers overlaid by false desires; that though in manifestation psychical, they are in essence spiritual; that the psychical man is the veil and prophecy of the spiritual man.

Using a biblical theology method (explained in SwJT 56:1 [2013] 227–57), this book reflects the content of the text of Isaiah within its Jewish-Christian context.

The Book of the Dead by Muriel Rukeyser was published as part of her 1938 volume U.S. 1. The poem, which is probably the most ambitious and least understood work of Depression-era American verse, commemorates the worst industrial accident in U.S. history, the Gauley Tunnel tragedy. In this terrible disaster, an undetermined number of men—likely somewhere between 700 and 800—died of acute silicosis, a lung disorder caused by prolonged inhalation of silica dust, after working on a tunnel project in Fayette County, West Virginia, in the early 1930s. After many years of relative neglect, The Book of the Dead has recently returned to print and has become the subject of critical attention. In Muriel Rukeyser’s “The Book of the Dead,” Tim Dayton continues that study by characterizing the literary and political world of Rukeyser at the time she wrote The Book of the Dead. Rukeyser’s poem clearly emerges from 1930s radicalism, as well as from Rukeyser’s deeply felt calling to poetry. After describing the world from which the poem emerged, Dayton sets up the fundamental factual matters with which the poem is concerned, detailing the circumstances of the Gauley Tunnel tragedy, and establishes a framework derived from the classical tripartite division of the genres—epic, lyric, and dramatic. Through this framework, he sees Rukeyser presenting a multifaceted reflection upon the significance, particularly the historical significance, of the Gauley Tunnel tragedy. For Rukeyser, that disaster was the emblem of a history in which those who do the work of the world are denied control of the vast powers they bring into being. Dayton also studies the critical reception of The Book of the Dead and determines that while the contemporary response was mixed, most reviewers felt that Rukeyser had certainly attempted something of value and significance. He pays particular attention to John Wheelwright’s critical review and to the defenses of Rukeyser launched in the 1980s and 1990s by Louise Kertesz and Walter Kalaidjian. The author also examines the relationship between Marxism as a theory of history governing The Book of the Dead and the poem itself, which presents a vision of history. Based upon primary scholarship in Rukeyser’s papers, a close reading of the poem, and Marxist theory, Muriel Rukeyser’s “The Book of the Dead” offers a comprehensive and compelling analysis of The Book of the Dead and will likely remain the definitive work on this poem.

everything was in his soul, moving the nine heavens. His bizarre background, peerless cultivation technique, peerless beauty, iron-blooded brothers, the vast universe, the myriad strange spaces 

Books about Shining toward Spirit, The book of Divine Love and beginnings Volume II

Originally published in 1272 and previously untranslated, this book provides an extended view of Aquinas's approach to Neoplatonic thought and functions as a guide to his metaphysics.

Sabine Baring-Gould's work on lycanthropy and the legends of the werewolves is probably the most detailed on the market. She goes back deep into the history, tries to share knowledge on the evolution of the legends and expresses her views on modern-day werewolves' talks.

'Why is there something, rather than nothing?' From the ancient text found on The Emerald Tablet, the motion implicit in achieving higher levels of consciousness is explored through questions surrounding whether evolution proceeds through natural selection or by controlled design and whether the nature of evolution itself is changing. Along our journey we ask whether Gaia theory can by extended beyond an earthly arena, whether science and religion are really incompatible and how do paranormal experiences, such as clairvoyance, actually arise. Considerations of free will, choice, the nature of time and virtue will lead us to identify the obstacles to be found in the way of our survival and whether, or not, we are capable of developing the means to prevent the extinction of the human race.

IF ever a book should be written on the Romance of Symbolism, its hypothesis of interpretation, its traditional and imputed histories, a considerable space would be allotted assuredly to Tarot-cards; while seeing that at this day there is more concern in the subject than was felt even in the past, there would be a call not only to survey that which lies behind us, a strange field of speculation and reverie, but the prospect extending in front, since every year brings forth some new proposition and provides material for future imaginative flights. It is very curious to contrast those comparatively sober terms in which Court de Gebelin introduced his discovery of the cards, 1 though he sought to prove that their origin was in Ancient Egypt, with the fantastic declamations of Éliphas Lévi, who affirmed not only that they were the Alphabet of Enoch, Hermes Trismegistus and Cadmus but the Gospel of all Gospels, a synthesis of science and the universal key of the Kabbalah.